If you haven't noticed yet, a great deal of inspiration has been drawn from the magical comedy Amelie. The camera movement, the colors, the performances - the movie is a modern-day masterpiece and has obviously influenced much of this film's look. In order to merge Jeunet's vision with my own vision, it was important to grab specific frames from the film as an homage as oppose to creating an identical cookie cut-out. Here are some particular frames that really popped out at me, which I hope to recreate in A Note to Etienne with cinematographer Jorge Urbina.
Frame 1: This may be my favorite still of the entire movie. Although the camera movement is moving closer towards Audrey Tautou, I'm particularly fond of the stagnant shot. The dutch angle has a sort of obscurity that's really interesting.
Frame 2: If you haven't noticed, I'm really fond of the high angles looking down. I think a great deal of exposition can be told through body language and production design, and as shown above, it can also be really beautiful.
Frame 3: Yes, another high angle. However, this shot's an over-the-shoulder shot where we see much more than what's being expressed. So much is going on this one screen shot, and you really don't need to know what's actually occurring. Pure genius.