In this piece we witness Amorette go through a wide range of emotions and we are also peer into her mind as well. Our overall approach to support this visually is to switch between both Hi Def and S16. We will be using S16 to shoot everything but the scenes where Amorette is recording her message to Etienne, this will be shot on Hi Def.
Visually for these sequences we will be creating a very narrow field of view. The framing will enhance and immediately reveal to the audience how the character sees herself in the world she lives in addition to how she sees her relationship to Etienne.
Lighting wise we would like a sense of a catatonic atmosphere, hollow like a cavern in the beginning but towards the end of her interview a sense of rebirth for Amorette. Sometimes when you are in a room the sunlight, when its not directed at window, can have this barren atmosphere but as it peeks in the edge of a window the feeling shifts to a more hopeful atmosphere. This progression definitely parallels through the emotional journey.
For Amorette's memories we will be taking full advantage of S16. Film has this organic feel which parallel's Amorette's experiences which are full of life. Visually we want it to contrast Amorette's interview with vivid color saturation, wide angles with our characters being more prominent in the frame as opposed to withdrawn. The camera will flow and move within the space gracefully which compliments Amorette's analytical sense as she takes us through her thoughts. The light will be diffused with detail in the highlights and shadows. Skin tones will glow. Overall the feeling would be warm which would contrast her feelings of questioning the involvement of Etienne.
The end result will yield a visual experience that will support our central character's plight.
- Jorge Urbina, Cinematographer